Cover design and book design: Friedensreich Hundertwasser
Text, volume I: Wieland Schmied, Munich
Catalogue raisonné, volume II: Andrea Christa Fürst, Vienna
Project management: Simone Philippi, Petra Lamers-Schütze, Cologne
English translation: Philip Mattson, Heidelberg
Graphic design and typesetting: Valeska Gimm, Rösrath/Forsbach
Production coordination: Pedro Lisboa, Ute Wachendorf, Sebastian Böhning, Cologne; Bernd Wörner, Rutesheim
Scans and proofing: Altmann proMedien GmbH, Magstadt
Printing in ten colours: Aumüller Druck KG Regensburg
Paper of volume I: Claudia Star 150 g/sqm, woodfree white
Paper of volume II: Claudia Star 70 g/sqm, woodfree white
Binding: Buchbinderei Burckhardt, Mönchaltorf, Switzerland
Flocking: Bastcolor, Solothurn, Switzerland
End papers: 140 g/sqm, woodfree offset white
Bookmarks: Bally Band AG, Bandfabrik, Schönenwerd, Switzerland
Edition of 10,000 individually numbered 1-10,000/10,000 plus 300 specimen for the artist, numbered 1-300/300, plus 100 specimen for the publisher's, in Roman numerals I-C/C
Hundertwasser designed the layout of the book as well as its decor and cover. Each page of volume 2 received Hundertwasser's individual design for the type area and follows his ideas concerning size and placement of the illustrations.
In addition, Hundertwasser chose five of his doodle drawings for the design of the slipcase and the covers of the separate volumes. Another five doodles by Hundertwasser were rendered into colour etchings with an edition of 2,000 specimen each. One of these prints is contained in every copy of the catalogue raisonné (see also APA 348)
Before his death on the journey from New Zealand to Europe in February 2000, Hundertwasser wrote comments for selected works in his ?uvre, which were printed in volume 2. What has resulted is a bibliophile publication reflecting Hundertwasser's work and life exactly as he intended.
- Minoritenkloster, Tulln, 2004
- Ostholstein-Museum, Eutin, 2007
- Szépmüvészeti Museum, Budapest, 2007/08
- Musée d'Unterlinden, Colmar, 2008
- Alcazar Bibliothèque, Marseille, 2012
- Osthaus Museum, Hagen, 2015
- Kurhaus Hinterzarten, 2015
- Residenzschloss Ludwigsburg, 2017
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 1121/1122
- Minoritenkloster, Tulln, 2004, p. 108 (c)
- A Magical Eccentric, Szépmüvészeti Múzeum, Budapest, 2007, p. 180
- Minoritenkloster, Tulln, 2004, p. 108 (c)
- Minoritenkloster, Tulln, 2004, p. 108 (c)
- Minoritenkloster, Tulln, 2004, p. 108 (c)
- Allemand 3e, Paris, 2002, p. 70 (c)
- artInvestor, no. 2, Munich, 2001 (c)
- Format, no. 46, Vienna, 2002 (c)
- Austrian Press Agency, Nov. 11, 2002, Vienna
- Die Presse, Nov. 11, 2002, Vienna
- Kurier, Nov. 12, 2002, Vienna
- Die ganze Woche, no. 46, Vienna, 2002 (c)
- freenet.de, no. 4, 2002
- Deutsche Presse-Agentur, Dec. 9, 2002
- Schwäbische Zeitung, Dec. 10, 2002, Biberach
- ddpADN, Dec. 12, 2002, Cologne
- Die Welt, Dec. 14, 2002
- Die Glocke, Dec. 14, 2002
- Magdeburger Volksstimme, Dec. 14, 2002
- SonntagsBlick, Dec. 15, 2002 (c)
- Focus, no. 51, 2002 (c)
- Deutsche Presse-Agentur, Dec. 16, 2002
- B.Z., Dec. 16, 2002
- Berliner Zeitung, Dec. 17, 2002
- Berliner Kurier, Dec. 17, 2002
- Die Glocke, Dec. 18, 2002
- Bunte, no. 52, 2002 (c)
- Stern, no. 52, 2002
- Berliner Zeitung, Dec. 19, 2002
- Uckermark Kurier, Dec. 28, 2002
- Nordkurier, Dec. 28, 2002
- B.Z., Dec. 28, 2002
- Südwest Presse, Dec. 30, 2002
- Schwäbische Zeitung, Jan. 4, 2003
- Invitation card, The Penthouse Gallery, Ulm, 2013
- Invitation card, The Penthouse Gallery, Ulm, 2013
- Invitation card, The Penthouse Gallery, Ulm, 2013
- Invitation card, The Penthouse Gallery, Ulm, 2013