Hundertwasser's comment on the work

I painted on the extended Lido of Venice - the Lido is a long island. It begins with the Lido as such and goes down to Chioggia. But the Lido is separated from the other island by a channel. The first town on the other island is called San Pietro in Volta, then comes Palestrina, and between San Pietro and Palestrina is a long, slender stretch of land where vintners are. Back then I didn't have much money, and when I came to Venice I immediately proceeded to Sant' Elena and from there crossed over with the vaporetto. Then I went on foot until there were no more houses and lay down to sleep in the sand or got into ahut and slept there. Then I lived for a time in such a hut. The picture is called "The Calculation" because I then had, I think, 12,000 lire. I had resolved to live there three months, so I had to divide the 12,000 lire by 90 - 90 days - and that meant that I could spend 133 lire per day. I wrote that down on the paper. And around that I wound this picture. After a few days the vintner came by. He was very nice. Instead of being angry, he always gave me grapes and something to eat, too, and it was a very happy time for me. I did not stay three months, at that, but I was there a long time. (from: Hundertwasser, Buchheim Verlag, Feldafing, 1964 and ed. 1973, p. 38)

183
IL CONTO
DIE RECHNUNG
The Account

Venice, 1954
Venice, San Pietro in Volta, garden of the Schiavon family, July 1954, in the company of Nicole
370 mm x 540 mm
Watercolour on wrapping paper, primed with chalk, zinc white and fish glue
  • Galleria del Naviglio, Milan, 1955
  • Galerie St. Stephan, Vienna, 1957
  • Galerie Delta, Basel, 1960
  • Tokyo Gallery, Tokyo, 1961
  • Galleria La Medusa, Rome, 1962
  • *
  • Travelling exhibition 1964/65:
  • Kestner-Gesellschaft, Hanover, 1964
  • Kunsthalle Bern, 1964
  • Karl-Ernst-Osthaus-Museum, Hagen, 1964
  • Stedelijk Museum, Amsterdam, 1964
  • Moderna Museet, Stockholm, 1965
  • Museum des 20. Jahrhunderts, Vienna, 1965
  • *
  • Hammerlunds Kunsthandel, Oslo, 1965
  • Secession, Dusseldorf, 1957
  • Art Gallery, Johannesburg, 1957
  • W. Schmied, Hundertwasser, Feldafing, 1964 and ed. 1973, pp. 39 (c), 45
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 264/265 (and c)
  • Leaflet: Tokyo Gallery, Tokyo, 1961 (c)
  • Kestner-Gesellschaft, Hanover, 1964, pp. 66 (c), 125
  • Moderna Museet, Stockholm, 1964, cat. 29
  • Museum des 20. Jahrhunderts, Vienna, 1965, cat. 39
  • Hammerlunds Kunsthandel, Oslo, 1965, cat. 5 (c)
  • I quattro soli, no. 1, 1955, Torino, 1955, p. 8 (b)
  • Postcard, Buchheim Verlag, Feldafing, 1964
  • Calendar 1972, Buchheim Verlag, Feldafing (June, postcard size)
  • Hundertwasser 2004 Calendar, Taschen, Cologne