Hundertwasser's comment on the work

At times I painted on my print graphics with watercolours, and frequently I also mounted graphics on canvas, primed the unprinted portions of the paper or parts of the picture white and painted over them with mixed technique; sometimes I mounted just the graphic in question, several graphics or parts of graphics on canvas and used some of it as a ground for a painting, leaving parts of the graphics as they were. Often the graphics and mixed technique are so intricately combined that you can't tell the difference. Sometimes I pitied buyers who had successfully bid for a graphic at auction, thinking it was a "real oil painting", especially because the paper margin had been cut off and it was mounted on canvas and framed under glass. So I made it into a "genuine picture" with an ?uvre number of its own. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 479)

592
GALERIE KAMER - FRISCHGEFUNDENES LABYRINTH
Galerie Kamer - Newly Discovered Labyrinth

Paris, 1958
Painted in Vienna - Paris, 1957/58
615 mm x 455 mm
Watercolour on a specimen of lithograph 305

This work is one of three watercolours, based on incomplete proofprints of graphic no. 305, which were painted over by the artist and transformed into work no. 591, 592 and 593. In the first oeuvre catalogue this painting was listed as 305B.

mehr weniger
  • Galleria La Medusa, Rome, 1962
  • Montevideo, 1957
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, p. 479 (c)
  • Galleria La Medusa, Rome, 1962 (c)
  • Kestner-Gesellschaft, Hanover, 1964, pp. 90 (c), 164 (as 305 B)
  • Bolaffi Arte, Torino, 1963 (c)